約 5,315,177 件
https://w.atwiki.jp/propagandabuster/pages/17.html
テキサス親父、毎日WaiWai問題を語る!(日本語訳)「テキサス親父、毎日WaiWai問題を語る!」の日本語版と文字起こしです。 http //www.suzaku-s.net/2008/07/waiwai_prob_by_propaganda_buster.html 早くも「テキサス親父、毎日WaiWai問題を語る!(原題:WaiWai tabloid, the truth about sex in Japan?)」の日本語訳版ができています。ただ、ちょっと画質が悪いのと、口調が丁寧語でテキサス親父のイメージとマッチしていないのがちょっと残念。 そこで以下、テキサス親父の口調(と言ってもこれも「イメージ」ですが)で日本語訳を再構成してみました。 【ニコニコ動画】毎日新聞問題に対してテキサス親父が物申す(和訳付き) やあみんな。 今日は、毎日新聞が日本人を侮辱したというスキャンダルについて話そうと思う。 この新聞の、ワイワイ?ウェイウェイ?なんて読むか分からないけどこのコラムで英語版のサイトでの連載が掘ったんだ。 この記事の責任者であるライアン・コネルという人物は、他に2冊のセックス・タブロイド本の共著者でもある。 この「変態という名の紳士」は、「日本人女性は性欲が強い」だの日本人を侮辱する根も葉もない記事を雑誌などからかき集めて、この新聞に発表したんだ。 この新聞社は、400万部も発行しているちゃんとした新聞のはずなんだけど、こんなコラムを掲載したもんだから、世界中の変態たちが「よっしゃ!日本に行けば美人とタダでやれるぞ!イェー」と勘違いして日本に行き、「ヘイ、一発やらせてくれるんだろ? だってこの記事にそう書いてあるぞ!」といってみたものの、そんなバカな話があるわけもなく、日本人は大激怒。 「日本人のメンツが丸つぶれじゃないか!どうしてくれる!」 …と、今のはイタリア訛り。日本訛りがどういうのかわからないけど、とにかく怒ったわけだ。 で、日本人からのプレッシャーを感じた責任者は急いでこのコラムを拝しs田と。ま、当然だな。 しかしここからが問題だ。 この記事を読んで、日本が世界一のスケベ大国と勘違いした世界中の変態に言おう。 日本の性欲は、地理の性欲、ケベックの性欲、アルバニア性欲と変わらんってことだ。分かるか? つまり男女間の違いはあれど、性欲なんて世界中どの人間も一緒ってことだ。 なんで自分の国でセックスできるのに、わざわざ他の国に行ってしたがるんだ? 自分が恥を書いてるのがわからんか? 自分の国の恥になってるのがわからんか? さて、日本人には申し訳ないが、アジア人である限り、この点でちょっと不利なのも確かだ。 なぜって、多くの西洋人は、…あんまり言いたくないけど本当のことだもんな。アジア女性をエキゾチックで美しいと思っている。 だからこそ、アジア諸国での売春産業はうまく言っている。白人が買うからな。 だから、WaiWaiの記事を見た変態は、「日本でタダでやれるのに、わざわざ他の国で金を払う必要ないじゃないか!」と思ってしまったわけだな。美しさは罪とはよく言ったものだな! さて。というわけで、毎日新聞の記事は捏造だ、ってわかってもらえたかな? capisca?(イタリア語で「わかった?」) じゃあな、みんな。 みんなに祝福を。 アメリカに祝福を。 みんなのいる国にも祝福を。 トーク原稿よりもやや詳細に書かれた文章は、テキサス親父のオフィシャルサイトに掲載されています。 Propaganda Buster WaiWai tabloid, the truth about sex in Japan?
https://w.atwiki.jp/prototype_game/pages/49.html
ONE THOUSAND SUNS DEFEAT THE SUPREME HUNTER DEFEAT the SUPREME HUNTER and STOP the NUCLEAR WEAPON. The FINAL COUNTDOWN has begun.
https://w.atwiki.jp/pipopipo555jp/pages/1917.html
http //www.telegraph.co.uk/news/worldnews/middleeast/israel/4325805/Gaza-phosphorus-casualties-relive-Israels-three-week-war.html Gaza phosphorus casualties relive Israel s three-week war ガザのリン死傷者はイスラエルの3週間の戦争を追体験します Special Report Tim Butcher in Gaza City argues why the true story about Israel s use of phosphorus shells may never emerge. 特別なレポート ガザ市のティムButcherは、イスラエルが白リン弾をなぜ使ったのかについての真実が決して現れないと主張しています。 Last Updated 10 01PM GMT 23 Jan 2009 Sabbah Abu Halima, 45, suffered burns in the shelling of the village of Atatra on the northern edge of Gaza. She saw her husband and baby daughter killed. Photo REUTERS SabbahアブHalima(45)はガザの北縁のAtatraの村の砲弾を浴びせることにおけるやけどを受けました。 彼女は、彼女の夫と赤ん坊の娘が殺されるのを見ました。 写真 ロイター John Stuart Mill described war as an ugly thing and it does not come much uglier than the digital photograph Mahmoud Abu Halima has on his mobile phone. It was taken this week and shows the body of his 15-month-old sister, Shahed, burned by white phosphorus, bloated through decomposition and without any feet or legs. Mr Halima explained what happened to the lower limbs. "There were about 12 bodies from the village that had to be left out in the open when the Israeli soldiers came. By the time we got back she had been partially eaten by wild dogs," he said. After Israel ended its ban on foreign journalists in Gaza it was a week of piecing together such stories, trying to clarify exactly what happened during the three-week military assault by Israel s armed forces. The Israeli government has accused people like the Halima family of being coached by Hamas to spout fiction. Investigation of the Halima family began in the burns unit at Shifa, the largest hospital in Gaza. During its military operations Israel had denied using white phosphorus shells improperly, meaning it was not used against civilians or in civilian areas. But the case of Sabbah Abu Halima, 45, suggested otherwise. She had been brought into the hospital with what appeared to be mild burns to her right forearm, left lower leg and feet. Without experience of white phosphorus, the staff, led by the unit s director, Nafiz Abu Shabaan, wiped the wounds, bound them and sent her on her way. "But two days later she came back, complaining of pain and when we opened the bandages we found her wounds still smoking and much, much bigger. Her arm was down to the bone and tendons, that is all that is left," he said. Sitting on her hospital bed and wincing with pain when her bandages pinched, Mrs Halima gave an initial account of what happened. She described how her family had gathered to eat in a first-storey room at the family home in the village of Atatra. It lies on the northern edge of Gaza and while it was never likely to be a target during the air assault phase of Israel s operation Cast Lead, its proximity to the fence with Israel meant it was in the front line for the ground offensive. "The first shells landed outside and we all stood up and went into the hall and a bedroom because we thought it was safe. That was when a shell came through the roof and exploded. My husband, Saadallah, was holding some of the children but his head was cut off. There was fire and smoke everywhere and the baby Shahed fell to the ground. I heard her cry mama, mama, mama , and then she stopped," Mrs Halima said. The house should be a 20-minute drive from Shifa but the conflict has turned roads into slow obstacle courses with cars having to slalom round craters, heaps of rubble and bloated carcasses of livestock. The Halima house lies just off a main road in Atatra up a muddy alley leading to fields of hothouses. Outside the house lay evidence of the shelling Mrs Halima described. Two white phosphorus shell cases, originally painted light green but burnt by detonations with the metal bent back like tulip petals, were on the ground. One still had the four tell-tale angle-irons inside to indicate a 155mm white phosphorus shell and was packed with unburned chemical. A poke with a stick to expose the chemical to oxygen was enough to set it burning again, sending out white smoke. Mr Halima, 20, was next door in the house of his uncle, Hikmat, 42, when the barrage struck and he remembered the smell of the smoke as he rushed up the open stairwell at his home. "It was a bad smell, a smell that made you choke," he said. "I came upstairs but there was smoke everywhere. I ran to get water from the bathroom but when I put the water on them the water did not stop the fire." White phosphorus fires are resistant to water. As well as his infant sister and father, Mr Halima lost two brothers - Zaid, 10, and Hamza, eight - in the blast and subsequent fire. Mr Halima explained how the killing did not end there. As the wounded, including his mother, were dragged down the stairwell, his cousin, Mohammed, 16, the son of Hikmat, ran to the fields to fetch a tractor and trailer to take the injured to safety. According to witnesses, Mohammed was shot dead by Israeli soldiers. The Atatra case is one of many in Gaza for which human rights activists have demanded an investigation. Navi Pillay, the United Nations high commissioner for human rights, has suggested that there is at least one case with "the appearance of war crimes". But Israel does not have a good record of co-operating with those investigating atrocities in Gaza. In 2006 after Israeli artillery killed 18 members of the Athamneh family in Gaza, Israel cleared itself of wrongdoing in an internal inquiry and blocked Desmond Tutu, the Archbishop Emeritus of Cape Town and Nobel peace prize laureate, from reaching Gaza to investigate the incident for the UN. This time round, after denying any improper use of white phosphorus, Israel has launched an internal inquiry. In some ways full-scale investigations of alleged atrocities by the Israeli army are academic. With the two sides in the conflict so far apart, Israeli hard-liners will not shift from their faith in the probity of its armed forces, nor will Palestinians budge from the view that their people were innocent victims. But unless they are dealt with, the cycle of enmity that has fuelled this conflict for decades will continue and the loss of life - 13 Israelis and over 1,300 Palestinians - will have been for nothing. When Israel launched its attack its stated aim was to reduce Hamas rocket fire from Gaza into Israel. At one level the mission has been successful the militants rockets have all but stopped. But before the Israeli government unfurls a Mission Accomplished banner there remains one important point of business the smuggling tunnels are open again. Much of the tunnelling under the Egyptian border is surprisingly visible, taking place out in the open in the south Gazan town of Rafah clearly within sight of nearby Egyptian watchtowers. The area was pitted with craters from Israeli air strikes but during a visit I saw several of the tunnels open or being repaired. Further north in the town of Beit Hanoun was the house of Angham al Masri, a 10-year-old girl who was killed in an Israeli air strike after it began its ceasefire in the early hours last Sunday. Her father, Rafat, 44, explained how his daughter thought the ceasefire made it safe to venture out of the house for the first time in days to check on the family farm that had been evacuated during the fighting. "She had only gone a few hundred metres when the missile struck," he said. "I ran to her and picked her up but she died in an hour." Israel said it attacked a rocket firing position. Amid claim and counter-claim about Israel s war aims and achievements, Mr Masri then indicated how operation Cast Lead has done nothing but harden Palestinian resolve against Israel. "Israel said this was a war on Hamas but when they kill people like my daughter it becomes clear it is a war on the Palestinian people," he said. "Until they change this war will never end."
https://w.atwiki.jp/nenbutsushu8400/pages/22.html
Load Buddha was a man just like us. He was born as a crown prince but he abandoned his wealth, status, as well as honor. He searched for the truth and pursued the way to solve the problem of samsara, the cycle of life and death. Lord Buddha teaches us that the life is suffering. We human beings, are practicing, aspiring for the cessation of suffering and seeking for the serenity in the next life. It is the goal of all Buddhists, irrespective of denomination, Theravada, Mahayana, or Tibetan Buddhism. What is a human being? Why were we born as human beings? What is the purpose of our lives? We can find the solution in the teachings of Lord Buddha, which is the essence of Buddhism. Let’s review the life of Lord Buddha, the original of Buddhism. ---------------------------------------------------------------------------------------------------------------
https://w.atwiki.jp/fukushima_nuke/pages/15.html
For most of the adults, taking in a spoonful of liquor would not kill you, but drinking up 10 big bottles of tequila in a few mins will certainly causes an immediate and serious effect. What about enjoying three bottles of wine everyday? You might be ok now, but it may eventually cause a kidney cancer if you continue to do so for 40 years. So given that we are exposed to 500mSv, 80nGy or whatever - our questions is how dangerous would it be? There are immediate effect and long term effect on this (immediate effect) This is about the radiation ray directly coming out from the Plant. This chart from Hiroshima University gives you a rough guideline http //home.hiroshima-u.ac.jp/er/Resources/Image571.gif * It says all the data is based on UNSCEAR s report in 2000 Unfortunately the description is written in Japanese, but it reads - Shuttling flight between Tokyo and NewYork 0.1 mSv-1 mSv - Stomach X-ray examination 1mSv-10mSv - CT scan 10mSv - Minimum correlation with cancer observed 50mSv Just note, usually the radiation level is shown as amount of radiation / hour . You have to multiply it by the exposure time (in Hour, not seconds). Careful not to take micro Sv with mSv (milli Sv), as it often causes a panic, as well. For example, if you are stand right in front of the Fukushima Plants, and assume that the radiation level was 5,000 micro Sv/h = 5 mSv/h, meaning if you are exposed right in front of the Plant for 1 hour, you receive about similar amount of radiation to that of X-ray stomach examination.
https://w.atwiki.jp/hmiku/pages/20228.html
【登録タグ W 巡音ルカ 曲 頑なP】 作詞:頑なP 作曲:頑なP 編曲:頑なP 唄:巡音ルカ 曲紹介 頑なPによる英語ルカ曲。今回はハウス。 邦題は「なんなんすかこれ?」。 巡音ルカ聖誕祭'12 一番乗り。 歌詞 What's this? So I ask you... what's this? Let me know... What's this? What's this? I do a secret affair at an office with you once in the weekend "I'll get a divorce from her" I leaned on your words. But you cheated on me. I look back the time in a lot of lies. And I too feel vexed as things come to mind. In a word, you have passed over a dangerous line. Don't make little of me. Can't pull the wool over my eyes.. I keep on smiling. You know that's my last sign. So I never show you my feelings deep inside I set you free from now on. Cause I'm already all in... I wanna order you out of my sight right now My heart is in a cold wall. I don't go steady with you and just like stupid additional time What's this? So I ask you... what's this? Let me know... What's this? What's this? You may choose her after all. Yes, I know. It's well? known story what I worry. You said me to continue this relation with me. But I follow with you ano more. I look back the time in a lot of lies. And I too feel vexed as things come to mind. In a word, you have passed over a dangerous line. Don't make little of me. Can't pull the wool over my eyes.. I keep on smiling. You know that's my last sign. So I never show you my feelings deep inside I set you free from now on. Cause I'm already all in... I wanna order you out of my sight right now My heart is in a cold wall. I don't go steady with you and just like stupid additional time What's this? So I ask you... what's this? Let me know... What's this? What's this? I look back the time in a lot of lies. And I too feel vexed as things come to mind. In a word, you have passed over a dangerous line. Don't make little of me. Can't pull the wool over my eyes.. I keep on smiling. You know that's my last sign. So I never show you my feelings deep inside I set you free from now on. Cause I'm already all in... I wanna order you out of my sight right now My heart is in a cold wall. I don't go steady with you and just like stupid additional time What's this? コメント 名前 コメント
https://w.atwiki.jp/matchmove/pages/51.html
Three-Point Method 3点指定法 訳者注)*3ボタンで指定する3点は同一平面上であればどういう位置関係でもいいです。ただし、最初の点が原点、2点目がX軸上の(20,0,0)、3点目がXY平面上の点として認識されます。 2点目のLockPoint(20,0,0)は、後から(200,0,0)等に変更してRefineすることで全体サイズを10倍にできます。 (以下本文) 座標系をセットアップする最も単純で最も広く適用できる方法を説明します。特別な理由がない限り、それは強く推薦されます。SynthEyesは、それを簡単にするのを助けるために、特別なボタンを持っています。Coordinate System(座標系)コントロールパネルに変更してください。*3ボタンをクリックしてください、まずOrと表示されます。 第1のトラッカーを座標系起源(すなわちX=0、Y=0、Z=0で)を選択してください。カメラビュー、3Dビューポートまたはパースペクティブウインドウの中で行ってください。 座標系パネルの上で、それは自動的にUnlockedからOriginに自動的に変化します。どんなトラッカーでも起源にできます。 次に*3ボタンは、LR(左/右 用)に変わります。X軸上にある第2のトラッカーを探し、それを選んでください。UnlockedからLock Pointに変わります。;解析の後、それはX/Y/Z座標系を3つのスピナーにリストされます。 最終的なシーンがどれほどの大きい物であることを望むかによって、それがどれくらい起源トラッカーから遠くにあることにするかを決めてください。このサイズは任意です。あなたが現場のセットから測量をして、身体的に正確なシーンを望むならば、これは測定値を使うための場所であるかもしれません。どちらにしても、X軸上で設定してください。あなたが望むならば、あなたは推量することができます、あるいは、あなたはデフォルト値(Solver panel(解析パネル)からのワールドサイズの20%)を使うことができます。コントロールパネルでX座標フィールドに選ばれたX軸座標を入れてください。 (原文) The *3 button will now readLR(for left/right). Pick a second tracker to fall along the X axis, and select it. It will automatically be changed from Unlocked to Lock Point; after the solution it will have the X/Y/Z coordinates listed in the three spinners. Decide how far you want it to be from the origin tracker, depending on how big you want the final scene to be. Again, this size is arbitrary as far as SynthEyes is concerned. If you have a measurement from the set, and want a physically-accurate scene, this might be the place to use the measurement. One way or another, decide on the X axis position. You can guess if you want, or you can use the default value, 20% of the world size from the Solver panel. Enter the chosen X-axis coordinate into the X coordinate field on the control panel. 次に*3ボタンはPlになります。地面上にある3つめの点をみつけてください。ただし、起源トラッカーとX軸上トラッカーの同一線上以外のトラッカーでなければなりません。トラッカーを選択するとUnlocked からOn XY Planeに変わります。(もしZ-UP座標系を使っているなら・・・)座標系セットアップが完了すると*3ボタンはOFFになります。 (原文) The *3 button now readsPl. Pick a third point that should be on the ground plane. Again, it could be any other tracker―except one on the line between the origin and the X-axis tracker. Select the tracker, and it will be changed from Unlocked toOn XY Plane(if you are using a Z-Up coordinate system, orOn XZ Planefor Y-up coordinates). This completes the coordinate system setup, so the*3button will turn off. 上の流れではシーンの中を左から右に走っているX軸に沿って第2の点を置きます。あなたが2つのトラッカーがステージ正面からステージ後方へ一列に並ぶことを望むなら、第2のトラッカーをクリックする前にLRをFB変えてボタンをクリックします。この場合、座標系セッティングに従い、YまたはZ座標値を調節します。 最も正確な調整を提供するためには、あなたはシーン全体に分散するトラッカーを選ばなければならず、特定の角でひとかたまりではいけません。 (原文) The sequence above places the second point along the X axis, running from left to right in the scene. If you wish to use two trackers aligned stage front to stage back, you can click the button fromLR(left/right) toFB(front/back) before clicking the second tracker. In this case, you will adjust the Y or Z coordinate value, depending on the coordinate system setting. To provide the most accurate alignment, you should select trackers spread out across the scene, not lumped in a particular corner. あなたの望ましい座標系に従い、あなたは他の軸と平面のセッティングを選ぶかもしれません。たとえば、後ろの壁に整列することができます。より複雑なセットアップのために、*3ボタンを使う代わりに、マニュアルでセッティングを調節することになるでしょう。 グリーンスクリーンの壁の上に追跡マークがあるなら、あなたは床または壁に複数のトラッカーをロックすることができます。これは、特に長いトラベリングショットで役に立ちます。あなたが床に物を追っているならば、物が床に会う点を追跡してください;さもなければ、あなたは床(少しのこれの上でより多くの)からの異なる高所で、物を追っています。 (原文) Depending on your desired coordinate system, you might select other axis and plane settings. You can align to a back wall, for example. For the more complex setups, you will adjust the settings manually, instead of using*3. You can lock multiple trackers to the floor or a wall, say if there are tracking marks on a green-screen wall. This is especially helpful in long traveling shots. If you are tracking objects on the floor, track the point where the object meets the floor; otherwise you’ll be tracking objects at different heights from the floor (more on this in a little).
https://w.atwiki.jp/hmiku/pages/8806.html
Thousandsmiles【登録タグ 2010年 T VOCALOID ダルビッシュP 初音ミク 曲 曲英】 作詞:ダルビッシュP 作曲:ダルビッシュP 編曲:ダルビッシュP 唄:初音ミク 曲紹介 所謂、テクノポップ(?)を作ってみたんですけど、なんか良く分からない感じになったので、テクノポップじゃありません。「ダルノポップ」です。 曲名『Thousand smiles』 ボカロデビュー1周年を迎え、この曲では「テクノポップ」という新たな新境地へ挑戦。 歌詞 星降る夜に あなたとデート このままずっと そばにいたい この広い空に あなたと二人きりね 揺れる心 抱きしめて その笑顔 見つめる度 キュンとして いつまでもただ 側にいた 伝えたい この想いを今 この気持ちはそう 嘘じゃないよ 真夜中の Call 眠れなくて 寂しい夜は そばにいてよ この白い部屋に 私と二人きりね 細い身体 抱き寄せて 胸の中 暖かさに包まれて 愛しくて今 目を閉じた あふれ出す この想いを今 繋いだ手はもう 離さないで 心がずっと 通わない日も あるけれどいつも 見守ってるから 来週何処行こうか? とりあえず話そうよ あなたの優しい笑顔 早く見たい 目の前に 重なり合うこの想い 眩しくて今 目を閉じた ありふれた この想いを今 この出会いはそう 奇跡じゃない コメント 名前 コメント
https://w.atwiki.jp/prdj/pages/872.html
Pathfinder Adventure Path #41 The Thousand Fangs Below(Serpent s Skull 5 of 6) Chapter 5 "The Thousand Fangs Below" 著者 Graeme Davis 現代では失われていたジャングルの都市 Saventh-Yhi の危険の全ては、その荒れ果てた街路の下に潜んでいる恐怖の前には色褪せる。古代の遺跡の下には Saventh-Yhi が長い間守ってきた暗黒とモンスターの朽ち果てた領域が眠っている。冒険者たちはその領域の永遠の夜の中を探索し、失われた王国の堕落した子孫、魔を崇拝する闇の住人、断酒された神の狂信者と次々に直面する。全ては世界で知られているうちで最も偉大な探検家 Eando Kline を巣食うという希望のうちに。しかし何とかEando を解放できたとしても、PCたちは彼を捕えていたサーペントフォークの牙の軍団から逃れることができるのだろうか? パスファインダー・アドベンチャー・パスのこの巻に含まれているのは: “The Thousand Fangs Below”、13レベル・キャラクター用パスファインダーRPGの冒険、著者 Graeme Davis 暗黒の魔法と危険な毒に満ちた廃墟の街 Ilmurea の神秘の領域への探索行、著者 Clinton Boomer 魔法の神ネサスの砕け割れた精神に関する概観、著者 Sean K Reynolds the Pathfinder s Journal はジャングルの裁き、著者 Robin D. Laws ジャングルの4種の新モンスター、著者 Jesse Benner 、 Sean K Reynolds. パスファインダー・アドベンチャー・パスはパイゾ出版の 96ページ、無線綴じ、フルカラー・ソフトカバーで上質紙に印刷された、月刊誌である。各巻は、詳細なアドベンチャー・パス・シナリオ、約半ダースの新モンスターのデータ、ゲーム・マスターにそのキャンペーンを拡張させる追加データを提供するサポート記事を含む。パスファインダー・アドベンチャー・パスはOpen Game Licenseを使用し、パスファインダーRPGと the standard 3.5 fantasy RPG rules の双方でプレイすることができる。 ISBN‐13 978-1-60125-276-0 カテゴリ:Pathfinder Adventure Path │ 製品リスト
https://w.atwiki.jp/thecockrockshockpop/pages/763.html
The Best Of THREE DEGREES The Best Of THREE DEGREES 2002年10月2日 1. When Will I See You Again ( 天使のささやき ) / 2. My Simple Heart / 3. Out Of Love Again / 4. Golden Lady / 5. Dirty Ol Man [ 7" club edit ] ( 荒野のならず者 ) / 6. The Runner ( 悲しきランナー ) / 7. Hot Summer Night / 8. Set Me Free / 9. Jump The Gun / 10. Givin Up Givin In ( 恋にギヴ・アップ ) / 11. Falling In Love Again ( ひとりぼっちの恋 ) / 12. Looking For Love ( 愛を探して ) / 13. Body Check / 14. Magic In The Air ( 恋のマジック ) / 15. Woman In Love / 16. Without You / 17. Starlight